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I. Magnim Department Store
I. Magnim was acquired by Macy's Department Store in 1994
Ironically Hattie Carnegie’s introduction to the fashion world was via Macy's
I.Magnim was the first department store to purchase her wholesale collection.
Hattie Carnegie made a very intelligent business decision when she decided to allow I..Magnim to purchase her clothing collection to be sold in their west coast based department stores.
The year was 1925. Hattie had just signed a deal that would bring her fame from coast to coast as her clothing line would now be as easily accessible to Hollywood starlets as it was to New York City socialities. Her fashions and hats would now be seen in movies as they had been seen on Broadway beginning a decade before.
This deal would also make Hattie Carnegie, a very successful and wealthy woman. This was the same woman who as a young immigrant didn’t even want to venture into Macy’s because she felt why should she venture into a store where she couldn’t afford to purchase a hatpin. This very intelligent business deal showed just how much status Hattie Carnegie had achieved in the business world.
I. Magnim was the first of hundred department stores to purchase Hattie Carnegie’s collection.
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I. Magnim Facts
I Magnim was the first department store to be founded by a woman. It was established in the late 19th century, by Mary Ann Magnin.
The “I” in I Magnim was in honor of Mary Ann’s husband, Isaac.
The first store opened in San Francisco, but other stores followed in throughout the state of California. The store even expanded outside of California with locations in Seattle, Washington, Phoenix, Arizona and Chicago, Illinois.
The main location in San Francisco was very chic, and very beautiful with Art Deco and modern decors. The interior consisted of chandeliers, mirrored cabinets, bronze elevator doors.
I Magnim was known for their women’s clothing, but they also sold men’s and children’s clothing and as well as few gift items.
I Magnim faded into retail history when in 1994. Macy’s Department Store which just a few years, before filed for Chapter 11 protection acquired both the Jordan Marsh and the I Magnim store chains. By 1996 all these stores also had the Macy’s nameplate.
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Macy’s Department Store Facts
Macy’s was the first department store to hire women for management positions.
The first store to ulitize the one price system.
The first store to quote prices in advertising
Macy’s introduced products such as the tea bag, Idaho potatoes and colored bath towels.
They were the first retailer to be granted a New York City liquor license.
In 1904, The same year that Hattie had begun working at Macy’s. They moved to their current Broadway and 34th street location.
In 1922 Macy’s became one of the first store to acquire their competition by buying them out.
In 1924 was the very first Macy’s parade complete with floats, animals and bands. The parade was started by a group of immigrant employees who wanted to celebrate American traditions. The parades are still a proud tradition some eighty years later.
In 1924 Macy’s was now the Worlds Largest Department Store
In 1945 the store opened up a California location, the famous Macy’s Flower Show became a yearly event.
On December 19th 1994 Federated Department Stores merged with Macy’s creating the world’s largest premier department store company. Federated Department Stores operated over 400 department stores and more than 157 specialty stores in 37 states and several overseas locations.
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References
Macy's Department Store History
http://www.macys.com/store/about/history/index_my.jsp?bhcp=1
http://www.greenspun.com/bboard/q-and-a-fetch-msg.tcl?msg_id=00BOCc
MILLINERY
A milliner is a designer of hats for women.
Hattie Carnegie received her millinery training (and her nickname) while she was employed through Macy’s Department Store between the years of 1902-1909
She started out as a salesgirl, then she graduated to modeling, but the department store needed additional milliners on staff so they decided to train current employees including young Henrietta.
Henrietta showed so much promise and talent as a hat designer, her co-workers and supervisors begun to refer to her as “Hattie”
Are you Surprised?
An interesting fact was that Hattie could not sew a straight seam. She mentioned in interviews that she pinned/ wired/fastened her hats together and attached the ribbons, lace and flowers to them in the same fashion. Although she couldn’t sew like most of the other Macy employees she was very skilled, was a quick study, and was proud to state that she could get projects completed in record time.
Millinery and seamstress work was one of the few professions besides teaching, cooking or housekeeping available to the women of the 19th and early 20th century
Milliners Contributions to the Fashion World
Milliners were in high demand because at the turn of the century fashionable ladies always complimented their wardrobes with a beautiful hat. A hat was an essential part of a daily wardrobe. The most sought after hats had beautiful feathers attached to the material. Fancy hats symbolized status because they were more expensive it was because of this the expression, a feather in your cap was first coined.
Who usually became a Milliner?
Milliners who owned shops were usually middle-aged women who had never married because married women usually did not work outside the home. Younger women who were seamstresses or milliners like Hattie became were so out of necessity because the main household provider had passed or because the family experienced extreme poverty and needed some additional income. It was because of these reasons that a twelve year old Henrietta left school for full time employment. Millinery/seamstress training provided not only a valuable skill for women, but milliners and seamstresses usually received some of the highest wages.
A Talented Young Lady
Henrietta found that she really enjoyed millinery work and had fun creating unique one of a kind designs. She first knew that she had talent when all the women in the neighborhood were clamoring to buy the piece of blue velvet that she draped as a turban on her head simply because it was the style of the time.
When she turned the Kanengeiser apartment into a millinery shop, and utilized the dinner table as a work area. Her mother foreclosed on her first enterprise.
A few years later when she began selling hats locally she created her first label with a play on her new name HATENGIE
Garment District Employment
Millinery and seamstress work, although time consuming was considered a skilled labor because the designs were most often handmade and original with a personal touch by the designer. They were most often custom made creations. On the other hand, factory work was just as tedious and much more dangerous due to the machinery and chemicals used and not regulated within the factories.
Factory work was considered unskilled labor with very low wages
Here is an interesting link to a book all about millinery.
http://www.hatbook.com/
Did Isaac Singer actually invent the Sewing Machine?
Why was it first rejected?
In 1853 with the invention of the sewing machine the entire garment industry was changed forever. Designing was made easier and faster. Now clothing and hats could be mass-produced. Despite the improvements the machine could offer the garment industry the majority of tailors, seamstresses and milliners were not ready to accept the new invention for fear that it would lead to job loss.
I had always wondered why Hattie Carnegie who was the daughter of a tailor, couldn’t sew, cut or stitch. The Kanengeiser family was very poor. Therefore I seem to think if Isaac Kanengeiser bought a personal sewing machine to complete projects at home. Hattie and her siblings were most likely forbade to touch the machine because it would have been expensive to buy a replacement if it was broken.
Legal Battles
There was a legal battle for patent rights to the sewing machine. Elias Howe actually invented the first sewing machine designed for industrial use. He received a patent and attempted to get a group of tailors interested in purchasing his invention. The tailors were understandably apprehensive.
Howe decided to try his market the invention overseas. He failed and a few years later returned to America. By this time Isaac Singer had marketed a similar type of machine with a few changes. This time opinions shifted and the sewing machine became a commercial success. It was improved upon. It was made with a smaller scale design for home use. When Howe returned he found out about Singer’s invention and it’s similarity to his own and sued him for a portion of the profits made from any sale. Howe won the suit and died a rich man because Singer was forced by the court to pay Howe royalties, from the sales, but Singer received the credit and it still considered by many as the creator of the first modern and functional sewing machine.
http://www.ideafinder.com/history/inventions/story065.htm
Did you know?…………….
Did you know that there is actually a museum in England dedicated entirely to milliners and the art of millinery?
http://www.hatworks.org.uk/home.htm
And also a huge display of hats from every era located in Ontario Canada
http://www.infoniagara.com/bb/Niagara-Falls/bampfield/hat.html
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Bampfield Hall Bed & Breakfast 4761 Zimmerman Avenue, Niagara Falls Ontario, Canada L2E 3M8
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Phone (905) 353-8522
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Toll Free 1-877-353-8522 E-Mail niagbnb@mergetel.com
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R.H. MACY AND ISADOR STRAUS
- THE HISTORY OF RETAIL -
Thanksgiving is the time of year when the internationally known department store celebrates a proud history.
The store was the dream of Rowland Hussey Macy.
R. H. Macy was not an immediate success. He failed at several business ventures before he finally achieved his dream when Macy’s small but fancy dry goods store opened for business in 1858. He needed to choose a symbol for his new store, a trademark that people would remember and that would stand out. He selected a red star to symbolize his navy days and his service to America. He had a red star tattooed to his arm upon his enlistment to the service. He recognized the importance of the star, and he was also very superstitious. He didn’t lose any time in having the red star placed on the sign. The star remains as part of the store logo to this very day. The star revolutionized advertising
A SHINING STAR
Well that star shined over Macy’s. The first day sales totaled only $11.06, but by the end of the first year the books totaled $90,000. R. H. Macy made retail what it is today. He implemented the one price system, which meant that every shopper paid the same price for a said item. He not only began using logos as an advertising tool (The Red Star) He also used the newspaper to bring additional business his way. Advertising his store to the public and showcasing certain products each week with a creative advertising tag line.
He was very proud of the fact that he introduced products to the public such as tea bags and colored bath towels. Macy’s was the first store to promote women to management and executive positions. The first woman manager was named Margaret Getchell.
Margaret Getchell paved the way for many other women who had executive dreams including Hattie Carnegie.
R. H. Macy was never Hattie Carnegie’s boss. Macy died in 1877. Nine years prior to Hattie’s birth. When Macy passed away in he left the store to his daughter and his son to continue the family business.
R. H. Macy Jr. had a severe drinking problem, which was ironic because Macy’s was the first department store to obtain a New York State liquor license.
Sadly, Macy’s son’s drinking problem practically ran his late father’s store into bankruptcy.
It was causing him to make irrational and irresponsible business decisions, he was alienating the employees and board members.
Isador Straus a German immigrant would save the company.
WHO WAS MR. STRAUS?
Isador Straus was born in Rhenish, Bavaria (Germany) on February 6, 1845.
Lazarus Straus settled his family, in Georgia when his eldest son was seven years old.
The young son was gifted so he enrolled and was accepted into a classical music course at Collinsworth Institute. Upon graduation his interests shifted. Classical music study was no longer his first career choice. Music literally became just a career to fall back on. His dream was to enroll at West Point Military Academy, but with the onset of the Civil War He wanted to serve so he volunteered to sign up for the Confederate Army, but he was rejected because at sixteen they thought that he was too young to volunteer and they were concerned about his ability to be an effective soldier. Isador felt like his career options were running out, therefore he decided to work in his father’s store at least until the war officially ended
The south struggled throughout the war. Following the bloody and bitter five-year battle the south struggled to rebuild their economy. The south was a difficult place to survive. The war had destroyed the economy and many southerners were close to starvation.
The Straus family had now adopted a strong southern identity, but they made the difficult decision to relocate in one of the northern cities. Isador suggested New York City to his father who reluctantly agreed. When they settled in New York City, Lazarus again reopened his glassware business renaming it L. Straus and Sons. Since their births, Lazarus had hoped that his sons would wish to continue the business he built someday to encourage them he changed the name. L. Straus and Sons was a proven success in addition to glassware and earthenware they also specialized in china and porcelain.
STRAUS AS A LEADER
In 1874, R.H. Macy, who was a very busy man and discovered he needed management assistance. He asked the Straus to take charge and manage the department store glassware department. Shortly before his death, Macy who had a reputation for buying out his competition bought out eleven of the neighboring buildings expanding the store an entire block. Mr. Straus had many ideas to improve upon the business of his friend and former employer. He strived to keep Macy’s dream a reality. Despite his honorable intentions he still didn’t have complete authority to implement his improvements. He was equally distressed by the poor management decisions of R.H. Macy Jr. who took over the store after his father’s passing in 1877. The younger Macy’s poor management skills were at least partially attributed to his drinking problem. Mr. Straus purchased the department store from R. H. Macy Jr. who was more than happy to give up the responsibility in 1888.
Isador and Nathan took over the management of the store while brother Oscar, traveled overseas buying merchandise to sell in the store. Oscar Straus was involved in politics. He was a member of President Roosevelt cabinet in the Department of Commerce and Labor. He was also appointed as Ambassador to Turkey. That allowed him the opportunity to travel selecting interesting and sought after items to sell at Macy’s.
Isador and his brothers selected to retain the name Macy’s for two reasons, out of respect for their former employer and also because the name was internationally known.
Little Henrietta , Mr. Straus and Macy's
Henrietta Kanengeiser first walked through the Macy’s Department Store doors in 1902 at the encouragement of friends who wanted her to see the beautiful fashions and jewelry.
She was told that she should also inquire about any job openings.
She didn’t want to go into the store simply to dream. Henrietta couldn’t even afford to purchase a pair of socks from Macy’s, but as usual curiosity got the best of Henrietta.
She ventured into the Women’s Department and looked around at the stylish dresses and hats that she couldn’t possibly afford on a factory workers salary, till she stopped a dress that she didn’t like.
Offering unsolicited advice to the management and designers she gave her opinion,
“I don’t like this dress it’s far too plain, but would look fabulous with a fir collar and cuffs.”
She wanted to know what everybody thought.
Mr. Straus became very annoyed at this young girl who obviously hadn’t any intention of purchasing a dress criticizing the merchandise.
He said, “You can’t be serious, you don’t put a fir collar and cuffs on an evening gown!”
Mr. Straus now gave his opinion, “You are a foolish girl, and you don’t work here.”
Not ready to be shown the door just yet, Henrietta scribbled her name on a slip on paper and shouted at Mr. Straus, “If you don’t want to take my advice, then you can at least give me a job.”
Mr. Straus decided to try her idea, maybe out of admiration of her independent nature, maybe out of sheer annoyance and exhaustion from arguing with her. It was most likely a little bit of both. The dresses with the fur collars and cuffs sold unbelievably well. He located Henrietta and offered her a job in the women’s department.
Over the next several years, Henrietta and Mr. Straus would have many other battles of wills, but the initial distain for one another turned into a mutual admiration and respect.
Mr. Straus considered Henrietta a young prodigy and her ideas continued to make the department store money. She didn’t have a fancy wardrobe, so they fitted her with a few dresses free of charge, if she agreed to model them. She was offered management and millinery training. “Hattie” excelled at Macy’s and became an ambitious young lady. She put her education to good use when she opened up her own shop years later.
The Titanic
The year was 1912 and Isador Straus had been married to his wife Ida for over thirty years. The couple was very much in love. They were the proud parents of six grown children. The couple found an excuse to celebrate everything which really wasn’t difficult when they even shared a birthday. Isador feeling over worked at Macy’s decided to take a relaxing vacation with Ida to Europe. They also brought their staff with them. Traveling along with the couple was their butler and housekeeper. Also accompanying the couple on the voyage to Europe was their youngest daughter Beatrice. To conclude their wonderful vacation Isador wanted to travel back to New York in style, so they booked a first class cabin on the brand new ship The Titanic. The only person absent from the return trip was Beatrice who wanted to stay in Europe a little longer
They were pleased and very excited to travel on this ship that sea captains raved about. There was much talk about the unsinkable luxury liner.
A cold April night a tragedy happened, the ship hit an iceberg and slowly sank into the ocean. Most of the third class passengers drowned and the ones that didn’t drown froze to death in the frigid waters of the North Atlantic. When the first class passengers first sensed their lives were in danger. The situation was chaotic. There weren’t enough lifeboats because the ship was said to be unsinkable People fought over the boats.
It was decided that women and children were to get into the available lifeboats first.
Isador begged Ida to get into a boat, but when she was told that her husband wasn’t going to be rescued she leaped out the boat and ran into his arms. Isador was recognized as the owner of Macy’s Department Store. He was told that he was important and that he should get to a lifeboat fast. In a act of bravery and unselfishness. Isador Straus said he was no more important than other man he was simply just more well known. He would let a woman who still remained on the ship take a spot in a lifeboat. That was very courageous. He gave up his life so another person could row to safety.
Ida and Isador Straus died in each other arms.
Mr. Straus, a very important mentor to Hattie Carnegie. Now I understand why he was. Isador Straus was a true hero.
Hattie never forgot him. She was deeply saddened to learn of his passing because she owed so much to his kindness. The joint funeral for the couple was held at Carnegie Hall. The lives and the unselfish sacrifice of this loving couple was honored by over 6000 attendees.
Did you know?
From the Cyclopedia: He and his wife, a woman of sweetness and strength, were passengers on the SS Titanic on its ill-fated maiden voyage across the Atlantic. When the order was given for women and children to take to the life-boats, Mrs. Straus would not leave her husband. Straus was strongly urged to take a place in the boats with her, but refused to do so as long as any women remained on board. Mrs. Straus declined to be separated from her companion of forty years, so the aged couple went down with the ship. Straus' was a strong individuality, compounded of keen insight, sound judgement, high integrity, candid statement, and high executive powers. He was a man of simple tastes, democratic accessibility, and cordial large-heartedness
From THE CYCLOPEDIA OF AMERICAN BIOGRAPHY (aka 'Appleton's), ed. J.E, Homans. Volume X, p. 204. New York: Press Association Compilers, Inc., 1924: He was a warm friend of President Cleveland and took an active part in the campaign which resulted in Cleveland's re-election in 1892. It is said that he was invited to become Postmaster General, but declined the honor. It was due to his influence that Cleveland set himself fairly behind the gold standard and called Congress in extra session (8/7/1893) for the repeal of that clause of the Sherman Act which compelled the Treasury to make monthly purchases of silver bullion for monetary purposes. Straus remained a Gold Democrat, losing his party enthusiasm when his party adopted the Free Silver platform under William Jennings Bryan's leadership...He served in Congress from 1/30/1894-3/3/1895, declining renomination. He also declined to be considered for the Democratic nomination for mayor of New York in 1901 and 1909.
REFERENCES
Titanic the Musical
http://www.dodger.com/titanic/titanic-bio-keith.htm
Isador Straus’ obituary
http://www.encyclopedia-titanica.org/item.php/3855.html
The History of Macy’s
http://www.macys.com/store/about/history/index_my.jsp?bhcp=1
Ida and Isador Straus
http://members.aol.com/ken63728/cr7.htm
From Biography
http://home.interlynx.net/~dclarke/straus.htm
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The Controversial Businesswoman Hattie Carnegie was well ahead of her time in many aspects.
She was direct and outspoken, when it was not acceptable for women to be that way.
She knew exactly what she wanted in life and she knew that she could not be passive to achieve her dreams.
As I have stated throughout this website, Hattie was never a stranger to controversy, but she did protect herself and she could be fiercely private.
This site was a difficult time consuming project for me because Hattie was very successful in separating her personal life from her business persona and from her career, but some things followed her throughout her lifetime. She could not erase the label she was given to her. The label that she earned which was the label of a controversial businesswoman.
Hattie made no excuses, about some of the items she sold in her shop including the lacy, silky lingerie, which she promoted in her catalogs. She commented in a 1945 interview, that she believed that women dressed to please men, not to impress other women, and they should dress to make the man in their life happy. That was important to remember that the woman should always be noticed before the dress and the dress should complement the woman’s beauty to the extent that people will first notice
What a beautiful woman instead of what a beautiful dress when a woman enters a room.
Hattie was the first to raise hemlines above the knee, which just like the lingerie displeased many of her older, once loyal customers. When Hattie had the grand opening of her Jenue Fille shop. Many parents were concerned about the merchandise that she might be promoting in her new shop to their impressionable teenage girls based on some of the merchandise that she sold in her other shops. Hattie quickly eased their fears by telling them that all the clothing and styles were age appropriate, she personally felt that a young lady should be decently covered. If her customers wished to inspect some of the inventory they were more than welcome to browse but she defended her position on a few changes in the fashion world like that she still thought that nothing was wrong with the raised hemlines.
Aline Griffith who worked for Hattie Carnegie in the 1940’s and resigned to assist the allies during World War II, authored a series of three books about her experiences before, during and after the war, she talked about her years modeling for Hattie in her first book titled
“The Spy who Wore Red.” In this book, she mentioned how much her grandmother objected to a young lady modeling, dressing up and wearing all that make-up. She begged her grandmother not to talk to Hattie about her objections because it would embarrass her.
Aline may have been embarrassed but Hattie certainly was not. Here was a woman, who although it was not intended once conducted an emergency business meeting while she was at home taking a bubble bath.
Hattie was also known to bring several outfits to work with her everyday, because when someone would ask for a suit like the one that she was currently wearing she would go into one of the dressing rooms, change her outfit and pass her startled customer the suit that she was previously wearing.
One fashion magazine writer once got the shock of her life when Hattie went into the dressing room to change her outfit yet again, The writer was scheduled to interview her, Hattie had forgotten all about the scheduled interview that particular afternoon, When she heard her name being called she thought it was only one of her employees, she stepped out of the dressing room and was wearing nothing but her slip.
Hattie loved makeup and began wearing cosmetics when she was employed through Macy’s Department Store. The other girls taught her how to properly wear cosmetics. Hattie loved all the various shades and colors. Cosmetics were controversial during her teenage years, but she did not care. Hattie began her own line of cosmetics years later in 1946 and she offered her employees and her customers lessons in applying cosmetics and matching the shades.
Hattie was known to be very truthful and honest with her customers. She would risk the loss of a sale rather than have a woman walk out of her shop wearing an outfit she considered unbecoming on them. She offended many customers by being so direct.
Many salesgirls were shocked that Hattie would actually kill a sale just because she did not approve of the customers selection. Hattie would still give her salesgirl her commission because her customer was buying and it was Hattie who had killed the sale.
Hattie Carnegie wasn’t afraid to offer her opinions on a wide range of taboo subjects, including prohibition, smoking and divorce.
Hattie disagreed with prohibition; she thought the entire restriction was wrong. She confessed in later interviews that during prohibition she knew where to get alcohol, and enjoyed social drinking at parties, especially champagne proudly proclaiming t hat prohibition did not her stop nor her friends.
Hattie was often the type who believed,
Do as I say, not as I do, when she found out a group of her young models were out drinking and partying at illegal speakeasies around New York. City, her motherly side surfaced when she lectured them about their behavior telling them that she was very upset and disappointed that they would do such a thing .
One of the girls defended herself by addressing Hattie’s behavior,
“You and Major Zanft drink?”
Hattie response was simply,
“That’s Okay, we’re old!”
Hattie started smoking cigarettes when she arrived in America. It was just getting fashionable for young women to smoke; those fancy holders made it all the more glamorous and appealing because you could look chic with a cigarette in your hand. Hattie’s mother hated it when her daughter smoked and always made her put out the cigarette immediately.
Helen Kanengeiser (Carnegie) objections to her daughter smoking the cigarettes was not because the cigarettes were unhealthy because the dangers of smoking were not discovered yet. It was because it was unladylike.
Hattie’s mother attended the majority of the fashion shows. Helen (Henna) Carnegie was a little woman who had blonde hair and curls, and she looked like an older version of Hattie.
Hattie’s employees loved Mrs. Carnegie, watching Mrs. Carnegie lecture her daughter was priceless. They thought it was hysterical when she would catch Hattie lighting a cigarette, she would yell at her with that thick Austrian accent,
“Henrietta, put out that awful cigarette now!” And they would all laugh hysterically
On the day of her divorce, Hattie felt that she needed to sign those papers and when she did so she was free.
Free from a tradition in her culture which she did not agree with “Arranged Marriages”
Even though she was born out of an arrangement she still spoke out against arrangements because she thought they were unfair to everyone involved.
“Why should a person be forced to marry someone that they didn’t love or only met if they strictly followed tradition on their wedding day.
She tried to accept the tradition and did so for many years, divorce was so taboo, her husband did not believe in divorce, they compromised on trial separations. The couple would separate and Hattie would travel to Europe without her husband. Then they would reunite and he would travel with her, attempting yet again to make the marriage work, but it was to no avail. They eventually went to the courthouse and signed the papers. When she signed the papers, she told the public, that she did not hold any bitterness toward her ex husband, wished him well, because she really did care about him, but she just did not love him. Eventually they both felt locked in to that marriage, signing those papers meant freedom. She thought that divorce could be a positive step for a couple who were unhappy.
When she married Major John Zanft, Hattie was on her third marriage, she became the subject of gossip as to how long this marriage was going to last. She ignored the press because she loved John. Hattie proved her critics wrong because this marriage lasted until her death.
John would often be called to Hollywood to assist with various projects. Many times Hattie had to stay behind in New York when asked how she felt about her husband traveling without her she surprised many people when she said, that he never gave her a reason not to trust him, so it did not bother her if he went without her. Hattie seemed secure in his love for her and she was not the least bit jealous. She trusted him.
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apart, both in their 70’s. “How dare they that I should live longer,” she said. She admires them for having achieved what they had achieved despite the limitations imposed by the Chinese Exclusion Act. “So we beat ‘em!” she exclaimed.
“Beating ‘em” seems to have been the constant challenge throughout her life, and she succeeded every time.
A former Reader’s Digest editor and an old friend of Miss Li brought her to The Village at 46th & Ten and introduced her to the program there, she relates. She liked what she saw and moved in shortly thereafter. Her quick wit and cheerful personality have endeared her to staff and residents alike.
Reference:Village Care of New York
http://www.vcny.org/news/li_ling_ai.html
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HATTIE CARNEGIE: AMERICAN STYLE DEFINED
FASHION INSTITUTE OF TECHNOLOGY OF NEW YORK CITY
THE 1996 EXHIBITION WHICH CELEBRATED THE 110TH ANNIVERSARY OF THE BIRTH OF MS. CARNEGIE
Hattie Carnegie who reigned as the undisputed fashion leader for almost three decades was celebrated with an exhibit which was titled: Hattie Carnegie: American Style Defined which was featured in the Museum at the Fashion Institute of Technology from (February 16th through April 27th of 1996).
Between the world wars when French Fashion reigned supreme and most designers labored in anonymity, Hattie Carnegie’s summoned up an instant image of the highest quality.
The first exhibition to honor this extraordinary woman included over 100 garments and just as many accessories.
Her shop at 49th street off of Park Avenue was once a mecca for stylish women who sought the “CARNEGIE LOOK”
Hattie’s luxurious shop with the boiserie paneled walls, exotic Coromen-del screens and glittering mirrors, complemented her elegant custom made clothing and accessories. Long before the French began pret-a-porter. Hattie Carnegie who was ever the business woman, had a high priced ready-to-wear line in her “Blue Room”
Socialites such as the Duchess of Windsor, Mrs. Randolph Hearst, and theater and movie stars such as Tallulah Bankhead, Constance Bennett, Joan Crawford, Marlene Dietrich and Gertrude Lawrence, were among her most devoted of clientele. By the time of Hattie Carnegie’s passing in 1956, she had succeeded in building her business into a multi-million dollar empire which included wholesale companies, made to order work-rooms, several factories, and her own line of costume jewelry and perfumes.
Born in Austria, Henrietta Helen Kanengeiser first came to America as a young teen with her parents and five siblings. Her first professional job in the industry was at the age of fifteen when she was able to gain a treasured job thru Macy’s Department Store, it was during her eight year tenure at Macy’s where the young girl first developed her business skills and acquired the knowledge that she would need of the fashion industry. In 1909, she decided to open up a shop and went into business with a friend, and another Macy’s co-worker, by the name of Rosie Roth. It was around this time when Hattie decided to bring herself good luck with her new shop that she would change her last name legally to Carnegie in honor of another successful immigrant whom she greatly admired by the name of Andrew. The rest of her family, followed suit and changed their name legally to Carnegie shortly after Henrietta, now known as "Hattie" had done.
Despite being the daughter of a tailor and artist, Hattie surprisingly never learned how to sew, cut nor draw patterns. She was a teacher and director to several talented designers,that included Pauline Trigere, Norman Norell, Travis Banton, Jean Louis, Claire McCardell, and Pauline Potter, later known as Rothschild. Successful actress and comedienne, Lucille Ball, was educated about proper style and grace, when she modeled Carnegie creations at the shop, and was considered Hattie's young prodigy for a few years as a teenager.
The exhibition was curated by Rose Simon of the Museum at F.I.T. included selections from the museums rich holdings, contributions from major museums across the country and overseas, and Carnegie treasures unearthed from private collectors.
Little “Carnegie Suits,” sophisticated evening dresses, military uniforms designed by Hattie Carnegie on loan from the Women’s Army Corp Museum, and a group of bridal gowns, and even a charming flower girl dress complete with a little bonnet. Photographs of the brides in their dresses were included in the exhibition. The clothing was represented in settings that evocated the high style that Hattie Carnegie promoted in her designs and within her shop. In addition, the exhibition included original design sketches,, photographs of Carnegie fashions shot for Harpers Bazaar by Louise Dahl Wolfe, and photographs and the exhibition concluded in a special way: REMEMBERING HATTIE Those closest to her, shared their memories of the Hattie they knew and loved. Guest Speakers were members of her family, former models, clients and friends.
Said, Dorothy Twining Globus, the Director of the Museum at F.I.T .Despite the tremendous impact Hattie Carnegie had on the fashion world, she remains somewhat of an enigma, and an unknown outside of the fashion world” With this exhibition they succeeded and re-examined and reintroduced a fashion icon to new generations to appreciate. They honored a remarkable woman who truly defined “American Style.”
At the time when separate fashions were necessary for specific times of day and special events-lunch, afternoon, cocktail hour, the theater and the gala_
Hattie Carnegie dressed women from “Hat and Hem” For her understated, yet classic efforts, she received many awards. The most famous includedThe Neiman-Marcus Award in 1938, and the Coty Award in 1948.
Article About the Hattie Carnegie Exhibition was featued in the Volume III, Issue 4 of The Lady's Gallery Magazine about Fashion, Culture and Antiques.
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Nursing Aide is Vital to Hopkins' Fiancee
New York Times-July 10th 1942
Ms. Louise Macy, the fiancee of Harry L. Hopkins , aide to President Roosevelt will carry a package of loyalties with her when she moves into the White House next month..
Taking time off yesterday from her duties as a nurses’ aide. At Memorial Hospital at 444 East 86th Street.
Ms. Macy discussed her wedding plans and her marriage.
Her loyalties have to do with her nurses’ aide job and two former employers. As soon as she and Mr. Hopkins return to reside in the White House after their July 30th wedding. She will sign up for volunteer work at the Washington hospital. She said, her wedding gown, a simple one because the ceremony will take place at noon, will be from Hattie Carnegie, who gave her, her first job as a saleswoman in 1933,
She also decided that Harpers Bazaar for which she was formally the Paris editor would be the only magazine to have a photo of her in her gown before the wedding.
Ms. Macy said that she will refuse to dress twice in the morning before nine o’clock, therefore she plans to emerge from the Presidential residency in her nurses’ uniform over which she will wear a trench coat. because of a regulation that the uniform must not be worn on the street.
Ms. Macy will shop her work at Memorial Hospital later this week, she was looking forward to the arrival of Mr. Hopkins, and planned to make one more trip to Washington before the wedding.
Her wedding trip, she declared, will last only a week, and will probably be interrupted anyhow,
She thought that Mr. Hopkins’ daughter, Diana was too young to serve as an attendant at their ceremony, but that she would be there, in a new dress, and would look absolutely adorable
Jeune Fille Fashion Show-Hosted by Hattie at the Waldorf-Astoria
New York Times- May 25, 1944
All the requisites for a well dressed summer were on view yesterday at the showing of the “Jeune Fille fashions by Hattie Carnegie.
Her presentation which took place on the Starlight Roof at the famous Waldorf-Astoria Hotel bounded in clothes for country and town that were notable for their good taste, versatility and budget appeal for the young teenage girl shopper. Prices in this shop range from ten dollars to forty-five dollars.
Costumes that were marked for double duty took the spotlight. Tailored town dresses , for example, were transferred into sun back dresses simply by the removal of a bolero.
For the woman who finds a small print with a large hat is her favorite costume, there was a series of dresses with black and pastel combinations.
Active sports clothes featured lovely hand painted effects. There were pique bathing suits available in one or two piece styles, decorated in this manner, and a blue sun back dress had blue hand painted motifs on the pockets.. Summer evening came in for their attention in a group of black sheers.
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Spring and Summer of 1942: Wartime Fashions
New York Times Archives
Hattie Carnegie fearlessly faces the dress-during-wartime issue with a sophisticated collection that is guaranteed to meet the requirments of the super exiquisite in taste. She blazes forth with colors. Here are a few of her latest colors: Passion Pink, Jealous Green, Frosted Daiquiri and True Blue.
It is Hattie's philosophy that in order to keep their heads high and their courage up that women will not want to lower their standards of dress except to conform with the regulations of the government.
Her Spring silhouette decidedly endorses the pegtop skirt. It has the advantage of economizing fabric yet providing a graceful drape. She showed it in three delightful suits, a wood violet, frock ensembled with a stem green jacket, a purple bougainvillaea boldly paired with a yellow and purple plaid blouse and a jealous green wool with the cutaway jacket exposing a boldly printed bodice.
The hats that went with each outfit added just the correct note of color and chic, Prints too, emphasized this wide at the top, narrow at the hemline silhouette. It was at it's best in a green-Persian print worn with an enormous yellow cartwheel hat.
Just to prove that she likes the ultra simple as well as the ultra-sophisicated. Hattie included a group of shepherds checks that had a debutantish air in the midst of the togs. A surah of the check made with a jeune fille bodice and a full pleated skirt was presented with a little black alpaca jacket. Never forgetting the hats, a checkered matching beret was paired with a big bag completed the youthful picture of fashion.
Summer coats to cover silk dresses whether print or plain. Hattie loves and approves of black faille or alpaca.
Hattie stated her opinion, "They are like dark shadows that are cast over brilliant colors, and the dresses they are worn over provide a startling note of color."
Two fabrics in particular the amber and dairquiri colored crepe, reminded Hattie Carnegie of her idol, the fabulous, Madeleine Vionnet who invented the bias cut which Hattie adored. They are figure revealing and very graceful.
The don't dress for dinner vogue is certain to reach new heights this Spring and Summer. To meet this demend there were innumerable costumes. in the main there were black:taffeta dresses with pink or blue bows at the neckline, and gloves to match: organza suits with short jackets over dresses with bodices and flaring skirts of lace.
For evening, Hattie showcased glamour. Black lace and bare shoulders, done up with a cloud of pale blue tulle, a hot pink jacket accompanied on a turquoise blue gown, so life like they looked as if they were ready to take flight.
The southern belle was present in New York as a model in a white organza gown speckled with hand embroided black leaves took center stage, and lastly the shows finale featured a black satin gown with a few ostrich feathers for highlight and beauty.
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Feathers Featured in Hat Collection
No Descriptive Name
New York Times Archives-August 20, 1943
A new hat line burst upon the fashion world yesterday. It was born at Hattie Carnegie's. No descriptive name can really be given to this hat. The silhouette is flat on the top and it is really crownless, and sweeps back from the hair and face almost like a windblown look. Hattie decided to call her new creation by the name of "Mercury", but someone should tell Hattie that this name is not all together accurate because the (God of Motion) had upturned wings in his helmet. Chez Carnegie the wings turn down over the hair.
Most dramatic of Hattie's winged creatures were made of feathers. The pancake flat features were set directly above the brow; at the back the wings were split casting an aerial look.The first hat show was in flamingo red, followed by colors of pale blue and black. The split winged theme was further explored in the huge tassels of uncurled ostrich feathers placed on either side of lowback, velvet shapes.
Shining black coque feathers curled into the nape of the neck in much the same treatment.
Hattie's entire collection presented a great lightness because her extensive use of feathers.Ostrich plumes rose in clusters at the front of crowned hats. The glistening fronds of ostrich feathers, shot off in all directions, sometimes with the backward windblown look. Sometimes standing high having a feather duster effect. Coque feathers did miraculous things because they rested close to the head.
In one model that was like a rounded open band, pale blue and pink feathers striped the side of the little creation. A tiny black matching feather muff went with it; the colored feathers were used on one opening and they were spread fanlike over the muff.
Throughout the entire show there was not a single large hat to be seen. Tiny bonnets called the "quarter bonnets were perched onto upswept coiffures. They were of velours velvet and sprouted tips of ostrich feathers. One was made of Hattie's favorite turquoise blue and black. Other hats were so tiny they practically blended in with the hair. Green and flame feathers tipped hat pins that were stuck with a casual air on the front of green velours which were made on the famed Tyrolean lines.
There were sailors and homburgs with brims which were lightly treated to fit the mood of the collection. A little red homburg was trimmed with black bows, that nestled in the manipulated brim. Other brimmed hats were rolled up at the side. A pine green sailor perched on an amusing snood of checkered pink surah that fell into a long point that was held into place by a green tassel.
The stocking snood came into the picture at various instances. Several times it was used in the veils of certain hats. The tassel was tossed lightly over the shoulder of the model. Hattie Carnegie's third part of the collection featured the pillbox hat. The hats were velvet and were in many colors and shades including black and a shade that Hattie called"American Beauty" which was absolutely outstanding.
Hattie's American Beauty was scrolled with jet and sequins for cocktail hour and evening wear.
For evening wear silk capots were presented. A pale blue moire and a pink brocaded silk were fashioned with large hoods, and large scarf ends that could be tied or simply draped over the shoulders.
Throughout the collection it was evident that considerable attention was paid to the coiffure. The hair was combed flat at the front and high at the sides where it could be swept into the curves of the small shapes.
This season, good grooming will be an important part of wearing Carnegie's custom made chapteaux.
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HATTITUDE
Hattie Carnegie's temper was as well known in fashion circles as her little Carnegie suit.
Her petite stature might have fooled some people momentarily that she was passive that was until someone made her angry.
Hattie would seldom shy away from a confrontation. She was also very direct and outspoken. Sometimes her outbursts were uncalled for and totally irrational, sometimes they had a purpose because she was a little lady trying to make it in the business world when the business world was an unaccepting and extremely cold place for a woman in charge, not only that Hattie's beloved father Isaac, didn't even take her dreams seriously when she was growing up and she treasured her fathers opinion.
Other times I tend to believe that Hattie's anger was a defense mechanism.
Hattie had a difficult and challenging life from the very beginning. She was born into extreme poverty and was expected to be a little adult and to take on the responsibilities of an adult even before she even officially became a teenager, because this was engrained into her at such an early age she grew up expecting those around her to take the same serious approach to life.
Hattie Carnegie was a teacher above all, she may not have have carried a wooden ruler to slap knuckles, but she had unlimited access to pins and she could stick a person just like they were a homemade voodoo doll. Lucille Ball noted this in her biography, "Love, Lucy" that when she would tire and become restless during fittings she was start to joke around. Hattie would stick her with a pin to bring her back to reality, then she would pretend that it was accident, but Lucille knew that it was attempt to get her to listen to direction. Hattie actually thought that Lucille was a riot, but she would never admit it to her and she would often turn away, so Lucille would not see her laughing at her antics.
Aline Griffith described her modeling experience in this way. Hattie was very strict and she wanted her employees to be prompt and she didn't like to accept excuses for tardiness. Aline had been late to work all week. After the third day this happened Hattie told her that if she was late one more time that she was going to be in trouble, and she best be on time tomorrow because they had an important photo shoot and it was going to take all day.
The following day was a cold, rainy, muddy March morning and Aline knew that she was going to be late yet again, and she knew that Hattie wasn't going to be happy.
To save time she decided to hail a taxi cab, she arrived at the shop in record time. She was going to make it, she was in such a hurry that she practically threw the money at the taxi cab driver, but when she getting out of the taxi cab she lost her footing and fell face down in a mud puddle. The beautiful light blue dress that she was wearing for the upcoming photo shoot was totally ruined, she panicked because Hattie was going to be furious, not only was she late, but the dress that she changed into at home to save time was now ruined. She was prepared for the worst.
Hattie came down the staircase, she spotted Aline who was standing there looking pitiful awaiting her punishment
At first Hattie stared at her in stunned silence than she did something unexpected and completely out of character she burst out laughing. Hattie was still in hysterics when she commented,
"Aline, No self respecting girl would show up to work like that, you can go and change into a different dress we will wait."
Aline was relieved, she was saved another day.
John Zanft may have once been in the army, but it was Hattie who had the temper of a drill sergeant. John would often defend Hattie's employees, by telling her that they were just kids. Ironically though, he didn't feel that way about the kids that he dealt with on a daily basis at the reformatory.
The kids at the reformatory hadn't any ambition they were there because they committed some very serious crimes, but society had decided. John Zanft wanted to save these kids from a life behind bars.
Hattie's employees were the opposite they were the best of the best kids with ambition and heart, they were personally chosen by Hattie, for their determination and skill. John sometimes thought that Hattie was too strict with the ambitious kids.
Hattie disagreed with her husband and defended her position by stating that if they couldn't take simple direction from her that they would never make in their chosen fields, they were ambitious because adults were strict with them. She was decidedly the hardest on those that she liked the best, believed in the most, but just as equally she cheered them on in their accomplishments.
One employee of Hattie's had this to say about the
"Tiny Dynamo"
Hattie is fiercely loyal to those employees, that she loves, she will never really fire them, but if she doesn't like you, you might as well leave because you will never get anywhere, if you get on her bad side."
Hattie would have a temper tantrum, fire an employee and before they could make it to the next block they would be rehired. She was quick to snap and lose her temper, but she would be just as quick to forgive, and the next day all would be fine in Carnegie's world.
When she lost her temper she would shout,
"You're Fired, Get out!"
The employee never cried or yelled back at her because they were used to it, many were actually happy.
How could they be upset, they had the afternoon off and it was a beautiful day in New York.
Hattie cheerfully plead guilty to her temper. It's a simple fact that she was proud of it. She would always say that she was tough on her employees, she expected a lot from them, but that was because they were gifted and she wanted them to make the most of their talents.
She often took a group of aspiring designers with her on her trips to Paris. The designers were eager to go. Hattie would pay their tickets, but she wanted them to understand that this was not a vacation and they were going to learn a lot. When the designers appeared restless at the announcement, Hattie response was,
"You all best listen because you may be tested later."
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Hattie Carnegie Jewelry
When someone hears the name Hattie Carnegie, the first thought that comes to most, is hats, dresses, fashionable suits, and evening attire. During her lifetime, she was a household name but Hattie Carnegie was never credited as a jewelry designer.
It is documented, in a number of reliable sources that Hattie did not officially launch a jewelry line until 1939. Even at it’s onset in 1939, the jewelry line was secondary to the fashions. It was merely utilized as a complimentary item to a beautiful dress.
Hattie Carnegie actually always loved jewelry. She was most partial to turquoise and pearls.
Pearls would eventually become her trademark.
Major John Zanft bought her a beautiful three-strand necklace; it is rare to find a photograph of Hattie when she is not wearing those beloved pearls.
Hattie adored pearls so much that when John proposed to her he put the diamond ring back and selected a rare pearl ring encircled by diamonds for his bride.
I saw a picture of Hattie’s beautiful ring, but could not enlarge it enough to get a decent picture to place on the site.
John made another wonderful contribution, not just to Hattie for buying her that pearl necklace and interesting wedding ring, but to all of us, who collect, enjoy and wear Hattie Carnegie jewelry to this day. He encouraged her to begin a jewelry line of her own when he saw that her jewelry box was overflowing with both fine jewelry and costume jewelry. She always mentioned to him that a nice outfit was made even more special with a beautiful necklace or bracelet to match. Hattie actually experimented with a piece of jewelry here and there when she incorporated her famous HC in a diamond mark in 1919, however she still did not have an official line.
Those early photographs of Hattie Carnegie models, included a young Lucille Ball, often wore matching necklaces and/or bracelets in the photographs, but the jewelry probably was not a Hattie Carnegie original, it was most likely from a well-known jewelry company of the day. Hattie freely complemented these companies in her early advertisements because she did not sense a threat from them at least up until 1939 when she officially launched her own collection.
Hattie always wanted to be credited for her hard work, so it is very rare to find an unsigned Hattie Carnegie piece.
Hattie worked hard to achieve success, to her, having her name stamped on her work was not so much a sign of vanity or pride, but as a reminder to the once poor tenenment girl of how much she had achieved in the land of opportunity.
Companies such as Hattie Carnegie Inc. had to buy a number of pieces from wholesale jewelry companies to have their company logo or designer signature stamped upon the piece, so that is why a collector can locate a number of the same pieces or styles attributed to a specific designer or company.
Hattie Carnegie’s company did design custom made clothing that was hand made by her designers at her New York shop, this was not the case with the jewelry line that was never custom made within Hattie’s shop.
Wholesale Jewelry Companies
She selected a few trusted wholesale companies to design her jewelry.
A jewelry designer that Hattie really liked was a man by the name of Jacques “Jack” Libuono.
I would have to assume that Hattie had a special fondness for Mr. Libuono, because he loved the French designs that she herself was so drawn to.
Hattie also liked to purchase jewelry from the Kasnoffs.
Dan Kasnoff and his son Larry sold under the name of Florenza.
The Kasnoffs had other famous clientele. Ironically, many of these companies were Hattie Carnegie competitors such as Weiss, Kramer, Coro, Capri and Revlon.
The Kasnoffs also sold jewelry under their own signature label of Florenza.
Hattie Carnegie’s brother in law often picked up the orders for her which Hattie Carnegie had herself, personally selected.
Hattie would carefully look at and examine every example, she refused to be rushed.
Her employees and wholesalers were made nervous by this trait.
Strictest of Standards
Hattie Carnegie held the strictest of standards with any item that carried her name because it was a reflection of her shop.
Hattie would not hesitate and was known to actually return a piece if it was not to her liking. Everything that was sold in Hattie’s shop had to appeal to her personal sense of style and if it did not it was to be scarped.
In additional to the traditional jewelry like the bracelets and necklaces. Hattie also sold hair ornaments, buckles and jewelry boxes under the names of either “Pooped Pussy Cat” or “Pooped Poodle”
The poodle name was in reference to her pet, a little black toy poodle. A poodle was also used as a logo for her company. I have only seen one ring that was designed with Hattie’s signature, although I am sure there must have been others.
Treasured Collections
I love Hattie Carnegie jewelry; I am always pleased to acquire a new Hattie Carnegie jewel to wear.
Many people ask me why I choose to wear my valuable collection, but I personally believe that a collection is meant to be enjoyed by the collector. I do however have a few special pieces that I refuse to wear and are kept safely in a display case, but in all honestly, I myself refuse to have a collection of something that I love if it is going to sit there and just collect dust.
My husband does not understand why, if I was given a choice that I would rather have a piece of costume jewelry by Hattie Carnegie as opposed to the fine jewelry that is found in any number of jewelry stores.
My answer is that my Hattie Carnegie collection has as much endearing and sentimental value to me as his collection of New England Patriots merchandise does to him. He does not understand why costume jewelry collectors, such as ourselves, seek out their favorite designer and it is such a quest to locate that perfect piece or that we as collectors would be hundreds of dollars for a piece of “fake” jewelry.
For example, Months ago, I wanted a Hattie Carnegie ladybug. I bid on several ladybugs on eBay, and was outbid each time. I was getting discouraged. Brian just typed in ladybug and he spotted an adorable bug, but it wouldn’t do for me, because it was NOT A HATTIE CARNEGIE.
My husband does not see the value of a designer piece. He just simply sees the item. To him, a ladybug is a ladybug.
By the way, I eventually got my treasured ladybug, but I paid a pretty penny for it.
Brian wants me to hock my collection to purchase a new computer. I do not think that is going to happen. Brian would not hesitate to pay a couple hundred dollars for an authentic signed photograph of Super Bowl champion and New England Patriots quarterback Tom Brady, but when I mention paying a couple hundred dollars for a rare Hattie necklace or pin. His answer is,
“It’s not the same thing.”
Oh well, I cannot expect him to understand.
My Favorite Hattie Jewelry Is
My favorite Hattie styles are her animal pins, because they are so detailed and lifelike.
My own personal Hattie Carnegie zoo, you do not have to feed them.
I also love the sparkly rhinestone necklaces that glow in the sun almost like real diamonds, and the colorful glass pieces.
My Least Favorite Hattie Jewelry Is
There are however , I few Hattie jewelry styles that I tend to avoid, especially the abstract designs.
I just really do not care for abstract art or jewelry. I consider it ugly and also, way too new age for me.
When I look at a painting, or in this case a pin.
I want to know at first glance what it is, I do not want to guess or assume what something is supposed to be or to represent.
I guess, I just prefer my mysteries to be printed in a novel, not featured on my lapel.
Another style that I don’t particular care for is plastic pieces, although I must admit that a few I have seen are very nice.
I used to love plastic charm necklaces, and collecting the various charms when they were all the rage when I was growing up in the 1980’s. Lately though, I have been more drawn to the glowing rhinestone jewelry.
Discovered a Love For
Other items that I used to not care for, but now absolutely love are the faux topaz stones. I think they are very beautiful..
I would also love to acquire a rare HC marked piece which I do not own yet.
Obviously, the above statements are my personal opinions about what I prefer; another collector could feel completely different from me. That is the wonderful thing about Hattie Carnegie jewelry, she was very classy, but she also was very open minded, fun loving and adventurous, therefore she left a wide variety of styles for the collector to select from for their personal collections that are a reflection of what they themselves love.
She was an intelligent businesswoman.
For examples of Hattie's beautiful jewelry in all styles.
Please refer to the Jewelry section
Hattie and Law-SUITS
Hattie was known for extending credit to her friends and associates. It earned Hattie a very loyal customer base. However sometimes this practice backfired. Hattie was involved in two well publicized lawsuits during the 1930’s that she filed against former customers. The first was filed against James J. Walker and his wife for $12,059 the remaining balance due on a $20,059 bill
Hattie’s second lawsuit was filed against Clarence Buddington Kelland for $3,313. When contacted about the matter by Hattie Carnegie Inc he ripped up the bill because he believed the husband should not be held financially responsible for the unreasonable debts of his wife and he claimed that Ms. Carnegie’s prices were high and very unreasonable.
Mr. Kelland told the press My financial condition at no time would justify panty hose at $6.50, cloth coats at $450.00 and there wasn’t way was he was going to be made to pay $250.00 for a dress. He also added a few choice comments about Ms. Carnegie
Mr. Kelland had to pay the debt as Hattie was awarded a judgment in the 1933 case which included claims for chiffon handkerchiefs at $10.00 each, and boxes of talc for $7.50 per box.
Hattie was asked why she would wish to file suit against her customers when the Depression was so harsh on everybody.
Hattie defended her actions and replied,
“Well isn’t that the point, I have employees to pay, and if all my customers refused to pay their outstanding balances, I would be unable to pay my employees who have families to provide for, Not only that, These customers are technically stealing from me, and my employees. I want to make an example of that type of customer, and this will not be tolerated by me."
On the other side of the coin, Hattie was also the defendant in a few lawsuits.
At one point prior to their marriage, and after World War I ended, Now newly reintroduced to civilian life but not ready to retire, John Zanft wanted to begin his own production company . So he borrowed a loan from Samuel Katz.
John ventured out to Hollywood with $11,000 in hand. John’s attempts at achieving his dream of founding an independent production company failed, and he resigned himself to working on the occasional project as an employee with other movie companies. He returned to New York City and resumed writing his column for the New York based Morning Telegraph. He filed bankruptcy when he begun to struggle financially. He promised Katz that he would pay his debt whenever he could manage to pay it.
Thanks to his friend William Fox who thought that John was a skilled and talented entertainment writer. He befriended John and offered him an opportunity that John could not refuse. He appointed John as Vice President of all the Fox Theaters in New York City. With this new found success , John was officially discharged from bankruptcy and paid Sam Katz $500.00 of the $11,000 that he still owed him. He asked Katz to be patient that he intended to pay the debt off in full as soon as he could manage.
John kept his word and eventually paid off the entire $11,000 dollars, that he had owed Katz.
John thought that was the end of his obligation to Katz, but Katz filed a surprise lawsuit against John that stated the he felt that John owed him an additional $605.27 of accrued interest that was never mentioned in the original document that John signed and agreed to pay upon.
John was sued by Katz for that interest amount.
On May 24th 1938, Hattie supported her husband, and spoke upon his behalf to the press outside of the courthouse. She said that her husband was being treated unfairly, and he had already paid the debt therefore he owed Mr. Katz……NOTHING! The judge agreed and ruled against Samuel Katz.
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KNOCK-OFFS
When Hattie Carnegie held any fashion show it was always with great ceremony. Yet the fanciest of invitations were sent out by her employees, just four times a year when she showcased her upcoming fashion line for each season of the year.
The seasonal shows in particular were the time the beauty and grace of the teenaged Lucille Ball begun to really shine. Hattie gave Lucille the special assignment of appearing as the bride at the conclusion of every show
These special shows were by invitation ONLY, and if you showed up at the door without your invitation, you were not allowed inside the shop. Hattie seldom made an exception to this rule. Contrary to popular belief , Hattie was not trying to be unfair to her customers by limiting the events attendance she was protecting herself from being the victim of what people in the fashion business refer to as a knockoff, but everyone in the industry was a victim and Hattie didn’t have an immunity to this practice.
Despite the precautions made by Hattie’s staff to protect their employer an occasional spy managed to sneak in restricted rooms. Once during a wholesale showing a employee spotted a department store dress buyer in the models dressing room, they turned the dress inside out noted the detail and counted the buttons. The dress was knocked off shortly after the show.
The definition of the term "Knocked off" is copying a garment _exactly by a name designer who operates in a lower price bracket. Knock-offs are still common in the fashion world even today.
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Ex-CONVICTS BREAK INTO HATTIE'S SHOP with a SHOEHORN
(Yes, this is a True Story)
Per: The New York Times: October 29, 1940
Two ex-convicts were captured at ten o’clock on the evening of October 28, 1940 after they had cracked open a window at the Salon of Hattie Carnegie at 42 East 49th Street, by the ingenious use of a shoemaker’s awl. They looted the shop of $5000 worth of furs. One of the pair was wounded.
The prisoners who said that they were Fred Lotte, 41 years old, of 692 Ninth Ave and Charles Bauman, 34 years old, of 356 West 34th Street, both longshoremen were being trailed by Detectives William J. Mulligan and John J. Hogan four three hours at the time of the robbery. The detectives were on a special assignment to put a halt to a series of robberies on the East Side of Manhattan.
The detectives stated that they saw the men punch a three holes at the point of a triangle in the window of H.L. Purdy, an optical goods store located at 506 Madison Ave near 52nd Street. Then the awl was inserted at the bottom of the window pane as a lever, the pane was raised, and the sides of the triangle were cracked between the holes because of the strain placed on the glass. The triangle that was originally cut was pushed in without shattering, however this action set off an alarm, upon hearing the alarm, the men retreated to a safe distance to look on as the watchmen came to the scene. The detectives said.
Abandoning this job, because they knew that they had been caught, they decided to repeat the awl trick, at Hattie Carnegie’s shop.
The detectives decided to catch them in the act this time, and they saw the men remove three silver fox stoles, and a silver fox jacket, they folded them neatly and placed them in a paper bag. Thinking that they succeeded in the robbery of Hattie Carnegie. The men decided to make their way to Park Avenue, and 49th Street, one walking ahead as a lookout and the other trailing behind carrying the bag of furs.
At the corner, they reunited, and entered the taxicab of Harry Smith of 214 Broome Street.
Hogan and Mulligan sprung to the doors of the cab throwing them open. Bauman then surrendered. Lotte leaped at Detective Mulligan sending him sprawling, and then he jumped from the cab and ran.
From the ground Mulligan fired one warning shot, then felled Lotte with a bullet wound in the left thigh
Both men were charged with burglary and with the possession of burglars’ tools. Bauman was locked up in the East 51st Street, station, Lotte in Bellevue Hospital. The former admitted to having served three penitentiary terms, the latter, a term in Sing, Sing, and another in the penitentiary.
The paper bag with the furs was found on the floor of the cab and returned to Ms. Carnegie.
Both men made a deal with the detectives to help clear up other burglaries in the area.
Hi, Amy.
What the robbers used wasn't actually a shoehorn... It was an awl used
by a shoemaker. Here is a picture of some awls: http://www.indiana.edu/~libpres/manual/tools/awl.html The shoemaker punches holes in leather with an awl before stitching through the holes with some kind of thread or cord.
What a great story! I'm glad you found this wonderful research reference.
I hope you are well and that life is treating you kindly.
Fondly, Cheri
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according to the Jewish tradition regarding arranged marriages would become her first husband. I don’t think that she was even aware that some twenty five to thirty years later she too would be a matchmaker.
Employees
Here is a very Special Hattie Carnegie Story that I have shared with permission.
Hi Amy,
You might like to know that my parents met because of Hattie Carnegie, in a way. My father, a photographer, had emigrated from Berlin to the US a few months earlier, signed a contract with Harper's Bazaar, and opened a studio in NYC. He spoke no English, just Hungarian and German, and so needed a secretary/assistant to translate for him.
I gather he was a little difficult to work for, ha ha, since he went through five secretaries in as many months.
Word went out in the fashion world that he needed a new one.
My mother's much older sister worked for Hattie, as a milliner. She suggested to Hattie that my mother could do the job for a couple of weeks: she was in her last year of high school, about to start her Christmas vacation, and though she didn't know German, she did know Yiddish, which would be close enough.
She went to work for my father for "just a couple of weeks." But she loved the job, got along perfectly with him, and was being paid what was a fortune in those years, and so she never did go back to school.
Nine years later she and my father married--and it never would have happened if not for Hattie! Best, Joan
Obviously, I found this story very interesting and had some follow-up questions.
Hi Amy,
You're more than welcome to use my story on your site. My mother went to work for my father in December of 1934. I don't know how long my Aunt Dotty worked for Hattie. My mother was 17 at the time, and Dotty was about 12 years older. Dotty would have been married to her first husband at that time, but they divorced, and when she remarried, she and her new husband, my Uncle Dave, opened a hardware store. I'm pretty sure that was right after the war, so assuming that Dotty stayed with Hattie until that happened, she would have been there into the mid-1940s. But I don't know if she DID stay, or how long she'd been working for Hattie when she sent my mother to my father's studio, and unfortunately no one from that generation of my family is still alive for me to ask. Really, all I know is what I wrote--that in the late fall of 1934, my aunt was working for Hattie. Wish I could fill in the blanks for you! You're welcome, Amy--it's my pleasure to give you another piece of Hattieana for your site. I'm glad it's something you can use. I look forward to seeing the story on your site.
Best,
Joan
http://www.acharmedexistence.com gelatogrrl on EBay
"When you wear a charm bracelet, you're never alone."
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REMEMBERING HATTIE- An Employees Perspective
I have been corresponding with a wonderful lady who was employed with Hattie Carnegie from
August 1943 until December 1947. Her name is Shirley (Geary) Kerwin and she is eighty years young.
She has been kind enough to share her memories of working for Hattie Carnegie and has granted me permission to share her memories of her with the visitors of Hattie-Carnegie.com
Shirley found this site via an internet search for Hattie Carnegie employees……
She wanted to see if I had a contact list of former employees, which I don’t currently have, but thanks to her assistance and valuable information I now have an impressive list of names which could lead to locating some surviving employees or the relatives of former employees.
Shirley’s Story
Shirley actually landed her job in the same fashion that the majority of Hattie’s employees had. She simply walked into the shop and remarked that she would love to work there. Hattie seemed to admire this straight forward method because this was exactly how Lucille Ball and Hattie’s personal secretary Josephine Hughes obtained their jobs. It was also the same techique that shehad used to obtain her life altering job at Macy's Department Store It helped in the quest for employment to flatter Hattie. Flatter her, and she would certainly find a job for you. Her biggest weakness was compliments, especially if a potential employee complimented the beautiful clothing and her lovely shop.
Hattie told Shirley if she wanted a job, she could start tomorrow. Shirley worked as a salesgirl in the lingerie department, her direct supervisor when she worked in the lingerie department was Hedy Guttman. The salesgirls in every department wore black dresses, because Hattie thought that the color black was classy.
Shirley was just nineteen when she began working for Hattie.
Labeling
Each article of clothing had a price tag. Clothing was priced according to the particular shop it was manufactured for. Pricing depended on whether the item was on sale. Price tags were pinned inside the of clothing on a seam. Jewelry was sold in a box with the Hattie Carnegie Inc logo, the price tag was usually found on the underside of the box. The clothing did not have when it was sold. When the customer brought a dress, blouse or suit, the sales assistants took the article to Fanny who was the presser and labeler to have the Hattie Carnegie label placed on the article.
Shipping
After labeling the package went onto the shipping department where it was wrapped and shipped to the customer. The box was brown and white (with Hattie Carnegie Inc, often her poodle logo)
If the item was a gift, Gift wrap was Hattie’s favorite color light blue with a dark blue ribbon to compliment it.
Special note:(Hattie’s perfume bottles are often seen on eBay still wrapped in the original wrapping.)
Sizing
Sizes were all color coded.
Size 10 was Red
Size 12 was Blue
Size 14 was Yellow
Size 16 was Green
Size 18 was White
They were just sizes, If a customer was not pleased with the way a dress looked, the customer had an option to see an in shop fitter. The fitter could make the dress fit perfectly.
Receptionist
After a year or so, Shirley was promoted to the position of front desk receptionist where she worked in the Ready to Wear Department, Shirley scheduled appointments for fittings. She would notify the tailor Mr. Speigel, or the seamstress Jenny when a customer came in for an appointment. There were other tailors and seamstresses on staff, but those were her favorites. She would also go up to customers who walked in and locate a salesperson to help them. If Hattie happened to be in that department and she received a call, Hattie’s personal secretary Josephine, would forward the call to Shirley’s phone in ready to wear. Shirley would then notify Hattie that she had a phone call. This was the job in which she really got to know Hattie on a more personal level.
Her direct supervisor during the time that she was the front desk receptionist was Irene Penn who was the ready to wear buyer . Shirley told me that Irene could be tough and harsh, but most of the time she was nice to her.
Celebrities
Shirley saw many celebrities when she worked for Hattie Among the celebrities that she came in contact with were Ingrid Berman who browsed but apparently never bought anything. Shirley told me that she couldn’t believe how big she was, she also saw the Duchess of Windsor, Joan Crawford and Mrs. Lou Gehrig.
Here is Shirley’s take on Zsa Zsa Gabor. She was very rude to her.
I had a problem with her. Zsa Zsa came in during a sale. (During Sales there we had racks all over.) But normally there were no clothes to see.. just couches.. The salesperson would bring out suits, evening wear, or whatever was asked for , models would also show the clothes. Zsa Zsa's sales woman was at lunch so she asked me to put away a dress for her. I told the sales lady Helen McCaffrey.. about it.. & she said "put it back on the rack,, she won't be back.." Well she did come back, when I saw her I fled to the basement where we kept our coats. I guess Zsa Zsa was asking where the sales person was and said.. "Where is that little one with the big face. She has a dress for me!".
Rationed During the War……..
She also remembered that Marlene Deitrich bought an interesting dress that had a United Nations flag print and a coat with the lining that matched the dress. She bought this dress to wear overseas to entertain the troops.
During war time shoes were rationed, Hattie didn’t sell shoes, but she made recommendations. Her favorite shoes were Edoward shoes. They were leather backless shoes (mules) and slip on an ankle strap. Voila! shoes…. Slippers and mules were not rationed.
Some of Hattie’s employees from 1943-1948 whom Shirley remembered and their departments……..
Vice President- Major John Zanft ( Hattie’s husband)
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General Manager/Financial Manager- Herman Carnegie (Hattie’s brother)
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Wholesale Department- Tony Carnegie (Hattie’s brother)
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Jeune Fille Department-June Lillie
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Hattie’s Personal Secretary-Josephine Hughes
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Sales
Rose Cohen
Ruth Klepper
Carolyn Eric
Lillie Long
Helen McCaffrey
Connie Marcus
Ethel Korn (Hattie’s niece) Ethel looked just like her Aunt Hattie, very tiny and blonde.
Ethel was the daughter of her younger sister, Madeline, who they often called Mary.
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Ready to Wear Supervisor
Irene Penn
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Lingerie Department Supervisor
Hedy Guttman
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Tailor
Mr. Speigel
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Seamstress
Jenny (?)
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Fur Salon
Mr. Davis
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Receiving
Irving Karshan
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Shipping
Phil (?)
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Remembering Hattie
Shirley said she remembered that Hattie was very tiny and cute. She was always beautifully dressed, but despite the formal atmosphere she was very informal, usually insisting that employees refer to her simply as “Hattie” She often joked that, her mother was Mrs. Carnegie.
Shirley really loved working for Hattie. She was pleased that I brought back memories for her with my interest in her story
Hattie offered her clothes at a discounted rate.
She remembered Hattie as a heavy smoker who always carried a cigarette in a holder. Probably because she thought the holder was classy.
The shop was around the corner from her residence, she often walked to work. When she arrived she usually greeted the downstairs employees, before she gracefully ascended the beautiful gray carpeted staircase to her office.
Interesting Project
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Shirley recalled that Hattie designed Margaret Sullivan’s wardrobe for the theatre production,
VOICE OF THE TURTLE- (which ironically Vivian Vance appeared in prior to her Ethel Mertz fame.)
I found it interesting that both Lucille Ball and Vivian Vance had a direct Hattie Carnegie connection.
Hattie apparently designed a very fashionable two piece gray and white suit with a turquoise lining and she wore a beautiful matching turquoise blouse underneath the suit jacket.
She kept with the color scheme when she also designed a purple jumper with specks of turquoise and another turquoise blouse.
I knew that Hattie loved turquoise (smile)
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Cute Post Script from Shirley……….
PS.. I really don't have a big face as Zsa Zsa said...
If you know of other employees. that are around I’d love to contact some..
Thank you for this opportunity..
She also wrote in another email……..
There were a few other young girls there. Marie Kinston the fur model, Betty Rhinhardt the Jeune Fille model, Ethel Korn, Hattie’s niece, Joan Ludwig on appointment desk in custom made department. They might contact you, If they ever do. Please let me know. I am near 80 years old, so unfortunately most of the people I talk about are probably gone now.
THIS WAS SO SWEET
Former Hattie Carnegie Alumni Reunited to Remember their Former Employer in 1965
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Nursing Aide is Vital to Hopkins' Fiancee
New York Times-July 10th 1942
Ms. Louise Macy, the fiancee of Harry L. Hopkins , aide to President Roosevelt will carry a package of loyalties with her when she moves into the White House next month..
Taking time off yesterday from her duties as a nurses’ aide. At Memorial Hospital at 444 East 86th Street.
Ms. Macy discussed her wedding plans and her marriage.
Her loyalties have to do with her nurses’ aide job and two former employers. As soon as she and Mr. Hopkins return to reside in the White House after their July 30th wedding. She will sign up for volunteer work at the Washington hospital. She said, her wedding gown, a simple one because the ceremony will take place at noon, will be from Hattie Carnegie, who gave her, her first job as a saleswoman in 1933,
She also decided that Harpers Bazaar for which she was formally the Paris editor would be the only magazine to have a photo of her in her gown before the wedding.
Ms. Macy said that she will refuse to dress twice in the morning before nine o’clock, therefore she plans to emerge from the Presidential residency in her nurses’ uniform over which she will wear a trench coat. because of a regulation that the uniform must not be worn on the street.
Ms. Macy will shop her work at Memorial Hospital later this week, she was looking forward to the arrival of Mr. Hopkins, and planned to make one more trip to Washington before the wedding.
Her wedding trip, she declared, will last only a week, and will probably be interrupted anyhow,
She thought that Mr. Hopkins’ daughter, Diana was too young to serve as an attendant at their ceremony, but that she would be there, in a new dress, and would look absolutely adorable
Jeune Fille Fashion Show-Hosted by Hattie at the Waldorf-Astoria
New York Times- May 25, 1944
All the requisites for a well dressed summer were on view yesterday at the showing of the “Jeune Fille fashions by Hattie Carnegie.
Her presentation which took place on the Starlight Roof at the famous Waldorf-Astoria Hotel bounded in clothes for country and town that were notable for their good taste, versatility and budget appeal for the young teenage girl shopper. Prices in this shop range from ten dollars to forty-five dollars.
Costumes that were marked for double duty took the spotlight. Tailored town dresses , for example, were transferred into sun back dresses simply by the removal of a bolero.
For the woman who finds a small print with a large hat is her favorite costume, there was a series of dresses with black and pastel combinations.
Active sports clothes featured lovely hand painted effects. There were pique bathing suits available in one or two piece styles, decorated in this manner, and a blue sun back dress had blue hand painted motifs on the pockets.. Summer evening came in for their attention in a group of black sheers.
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Spring and Summer of 1942: Wartime Fashions
New York Times Archives
Hattie Carnegie fearlessly faces the dress-during-wartime issue with a sophisticated collection that is guaranteed to meet the requirments of the super exiquisite in taste. She blazes forth with colors. Here are a few of her latest colors: Passion Pink, Jealous Green, Frosted Daiquiri and True Blue.
It is Hattie's philosophy that in order to keep their heads high and their courage up that women will not want to lower their standards of dress except to conform with the regulations of the government.
Her Spring silhouette decidedly endorses the pegtop skirt. It has the advantage of economizing fabric yet providing a graceful drape. She showed it in three delightful suits, a wood violet, frock ensembled with a stem green jacket, a purple bougainvillaea boldly paired with a yellow and purple plaid blouse and a jealous green wool with the cutaway jacket exposing a boldly printed bodice.
The hats that went with each outfit added just the correct note of color and chic, Prints too, emphasized this wide at the top, narrow at the hemline silhouette. It was at it's best in a green-Persian print worn with an enormous yellow cartwheel hat.
Just to prove that she likes the ultra simple as well as the ultra-sophisicated. Hattie included a group of shepherds checks that had a debutantish air in the midst of the togs. A surah of the check made with a jeune fille bodice and a full pleated skirt was presented with a little black alpaca jacket. Never forgetting the hats, a checkered matching beret was paired with a big bag completed the youthful picture of fashion.
Summer coats to cover silk dresses whether print or plain. Hattie loves and approves of black faille or alpaca.
Hattie stated her opinion, "They are like dark shadows that are cast over brilliant colors, and the dresses they are worn over provide a startling note of color."
Two fabrics in particular the amber and dairquiri colored crepe, reminded Hattie Carnegie of her idol, the fabulous, Madeleine Vionnet who invented the bias cut which Hattie adored. They are figure revealing and very graceful.
The don't dress for dinner vogue is certain to reach new heights this Spring and Summer. To meet this demend there were innumerable costumes. in the main there were black:taffeta dresses with pink or blue bows at the neckline, and gloves to match: organza suits with short jackets over dresses with bodices and flaring skirts of lace.
For evening, Hattie showcased glamour. Black lace and bare shoulders, done up with a cloud of pale blue tulle, a hot pink jacket accompanied on a turquoise blue gown, so life like they looked as if they were ready to take flight.
The southern belle was present in New York as a model in a white organza gown speckled with hand embroided black leaves took center stage, and lastly the shows finale featured a black satin gown with a few ostrich feathers for highlight and beauty.
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Feathers Featured in Hat Collection
No Descriptive Name
New York Times Archives-August 20, 1943
A new hat line burst upon the fashion world yesterday. It was born at Hattie Carnegie's. No descriptive name can really be given to this hat. The silhouette is flat on the top and it is really crownless, and sweeps back from the hair and face almost like a windblown look. Hattie decided to call her new creation by the name of "Mercury", but someone should tell Hattie that this name is not all together accurate because the (God of Motion) had upturned wings in his helmet. Chez Carnegie the wings turn down over the hair.
Most dramatic of Hattie's winged creatures were made of feathers. The pancake flat features were set directly above the brow; at the back the wings were split casting an aerial look.The first hat show was in flamingo red, followed by colors of pale blue and black. The split winged theme was further explored in the huge tassels of uncurled ostrich feathers placed on either side of lowback, velvet shapes.
Shining black coque feathers curled into the nape of the neck in much the same treatment.
Hattie's entire collection presented a great lightness because her extensive use of feathers.Ostrich plumes rose in clusters at the front of crowned hats. The glistening fronds of ostrich feathers, shot off in all directions, sometimes with the backward windblown look. Sometimes standing high having a feather duster effect. Coque feathers did miraculous things because they rested close to the head.
In one model that was like a rounded open band, pale blue and pink feathers striped the side of the little creation. A tiny black matching feather muff went with it; the colored feathers were used on one opening and they were spread fanlike over the muff.
Throughout the entire show there was not a single large hat to be seen. Tiny bonnets called the "quarter bonnets were perched onto upswept coiffures. They were of velours velvet and sprouted tips of ostrich feathers. One was made of Hattie's favorite turquoise blue and black. Other hats were so tiny they practically blended in with the hair. Green and flame feathers tipped hat pins that were stuck with a casual air on the front of green velours which were made on the famed Tyrolean lines.
There were sailors and homburgs with brims which were lightly treated to fit the mood of the collection. A little red homburg was trimmed with black bows, that nestled in the manipulated brim. Other brimmed hats were rolled up at the side. A pine green sailor perched on an amusing snood of checkered pink surah that fell into a long point that was held into place by a green tassel.
The stocking snood came into the picture at various instances. Several times it was used in the veils of certain hats. The tassel was tossed lightly over the shoulder of the model. Hattie Carnegie's third part of the collection featured the pillbox hat. The hats were velvet and were in many colors and shades including black and a shade that Hattie called"American Beauty" which was absolutely outstanding.
Hattie's American Beauty was scrolled with jet and sequins for cocktail hour and evening wear.
For evening wear silk capots were presented. A pale blue moire and a pink brocaded silk were fashioned with large hoods, and large scarf ends that could be tied or simply draped over the shoulders.
Throughout the collection it was evident that considerable attention was paid to the coiffure. The hair was combed flat at the front and high at the sides where it could be swept into the curves of the small shapes.
This season, good grooming will be an important part of wearing Carnegie's custom made chapteaux
What Hattie's Will Stated......
Mrs. Hattie Carnegie-Zanft, Fashion Editor who was known professionally as Hattie Carnegie, left an estate that was estimated to be in the millions, as was learned yesterday as her will was filed for probate.
Mrs. Carnegie-Zanft died on February 22. She was 69.
She left her husband, John Zanft one half of her estate. The other half she left to her brothers and her sisters.
Her brothers and sisters are Herman and Tony Carnegie, Mrs. Rose C. Apisdorf, Mrs. Celia C. Meyers, Mrs. Frances C. Barnett and Mrs. Mary C. Korn.
Her will named as executors and trustees, both her brothers, and her nephew Harold C. Apisdorf who was also the estate’s attorney.
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The End of an Era
New York Times: Originally published on November 26, 1964
Hattie Carnegie, the specialty shop at 42 East 49th St. that was a cradle of American Fashion for thirty years will go out of business next year. Leaflets mailed to charge account customers last Monday, were the first indication that the retail division of Hattie Carnegie was being discontinued.. Reports of the imminent demise of the wholesale apparel and the accessories division of the corporation founded by the creator of the “little Carnegie suit” has been circulating within the fashion industry in recent months.
But the statement issued yesterday by Edward Isaacs, chairman of the board of Hattie Carnegie Inc, emphasized that the store was being closed to enable the expansion of the wholesale operations.
Leading New York stores were reluctant to carry, costume and precious jewelry, perfumes, millinery, ready-to-wear and hosiery manufactured by the wholesale division of the corporation due to the presence of Hattie Carnegie’s original competitive outlet.
The entire inventory of the Hattie Carnegie shop valued at more than two million dollars, will be sold at drastically reduced prices. Hattie Carnegie’s shop will cease to exist sometime on or around March 1.The Southampton L. I. branch was closed after Labor Day. The fate of Hattie’s Palm Beach branch has yet to be decided upon.
Mr. Isaacs said that a Hattie Carnegie wholesale gift and boutique division would be established early next year, and that plans will continue for the promotion of Hattie Carnegie’s name in related lines such as furs, handbags, hats and gloves were going to be in the offering.
Prices in the ready-to-wear division will be scaled downward. Women will be paying anywhere from
$90-$250 for a suit or a dress with a Hattie Carnegie label as opposed to paying $160-$900.
Before her death in 1956, Hattie Carnegie was the high priestess of fashion for the American Woman Famous women such as Clare Boothe Luce, and the late Gertrude Lawrence were valued costumers.
Starting in 1909, as a milliner, her business partner, Rosie Roth was the dressmaker, she soon moved to larger quarters above a deli and a Chinese restaurant on the corner of Broadway and 86th Street.
Hattie bought out Rosie’s share of their business in 1919.
In 1926, Hattie Carnegie had enough money that she bought a permanent home for her business, a large brownstone and the address was changed to 42 East 49th Street.
The business that she left behind at the time of her death is estimated to be worth about 8 million dollars, a year. Members of her family continued the operation for a while, however all have since retired with the exception of her niece, Claire Carnegie-Laux who was in charge of Hattie’s millinery department.
article in, so here goes......
Miss Nelson Has Nuptials
September 11, 1983
New York Times Archives
Elizabeth Louise Nelson, daughter of Mr. and Mrs. Edward H. Nelson of Fairfield, Conn., was married yesterday to Robert Andrew Welke, son of Mr. and Mrs. Richard A. Welke of Wyckoff, N.J. The Rev. Gary A. Ritts performed the ceremony at the Greenfield Congregational Church in Fairfield.
Barbara Jane Nelson was her sister's maid of honor.
The bridegroom's father was the best man.
The bride is marketing representative with the business systems markets division of the Eastman Kodak Company in Stamford, Conn. She graduated from Skidmore College and is a member of the Junior League of Greater Bridgeport. Her father is president of Business Development Services Inc., management consultants, and founder of Management Resource Group, a consortium of business and professional school faculty members providing educational services to industry; both concerns are based in Fairfield.
Mrs. Welke is a granddaughter of Mrs. Martin J. Ryan of Fairfield, the late Mr. Ryan, Mrs. C. Edward Nelson of Bridgeport, Conn., and the late Mr. Nelson. Mr. Ryan was president of Buckley Brothers Inc., a deepwater terminal in Bridgeport and petroleum products distribution concern that he sold to the Shell Oil Company; president of the Stratford Land and Improvement Corporation in Bridgeport, and an owner of Hattie Carnegie, the fashion store in New York, Southampton, L.I., and Palm Beach, Fla.
Mr. Welke, an alumnus of New England College, is manager of the accident and health department of the Employers Reinsurance Corporation in New York. His father is president of the General Deck Company, a steel brokerage concern in Wyckoff.
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